JSS at Next Big Nashville

Visit JSS at "Next Big Nashville" music festival and conference.

What began as a simple showcase for Nashville’s mushrooming music scene in 2006, NBN has quickly grown into a nationally recognized music festival and conference. Providing a deserving spotlight to the depth and diversity of the music and business “Made in Music City,” NBN now serves as an annual destination for artists, innovators and business leaders in the creative community.

JSS will be sponsoring the panel "What's Next for Nashville?" We will have our booth set up Wednesday , October 7 from 10 a.m. until 5:15 p.m. Stop by our booth for FREE Swag, Special NBN Prices on all Headphones, Earphones and even Custom In-Ear Monitor products and information about JSS.

The panel we're sponsoring is "What's Next for Nashville?" - representatives from the Nashville Music Business Council and other Community Leaders discuss both daring dreams and concrete plans for Music City's future and take your questions and suggestions on what should be next for Nashville.

Day: Wednesday, Oct. 7
Time: 11:15am-12:15pm
Moderator: Jason Moon Wilkins (Next BIG Nashville)

Panelists:
- Jim Hester (Nashville Mayor's Office)
- Rod Essig (CAA)
- Janet Miller (Nashville Chamber of Commerce)
- Butch Spyridon (President, Nashville CVB)
- Elin Mulron (Digital Nashville)
- Marcus Whitney (CTO, Moontoast)

The conference is at the Blair School of Music - The Martha Rivers Ingram Center for the Performing Arts at Vanderbilt University
2400 Blakemore Ave | Nashville, TN 37212

700 MHz Deadline

Do You Have A Wireless System?

Is it legal? Not sure? Let JSS Help!

Public Safety and Homeland Security Bureau 700 MHz Public Safety Spectrum

The 700 MHz Band comprises 108 megahertz of spectrum from 698-806 MHz and is designated for commercial and public safety uses. Currently, this spectrum is occupied by TV broadcasters in Channels 52-69. Congress has directed that TV broadcasters transition to digital broadcast technology and vacate the spectrum in order to accommodate wireless commercial and public safety uses of the spectrum. The Digital Television and Public Safety Act of 2005 (DTV Act) set a firm deadline of June 12, 2009, for the completion of the DTV transition. In July 2007, the Commission adopted the 700 MHz Second Report and Order that adopted a regulatory framework for the 700 MHz public safety band to facilitate the establishment of a nationwide, interoperable broadband communications network for the benefit of state and local public safety users.

What does this mean? It is no longer legal to operate a wireless system in the 700MHz bandwidth.

That's the bad news. The good news is that manufacturers are offering rebates of up to $1000 toward updating your wireless system but TIME IS RUNNING OUT. Take advantage of these rebates before it's too late.

Shure, Sennheiser, and Audio-Technica are all offering rebates toward wireless systems.

Visit the FCC’s web site for more information. www.fcc.gov

CALL JSS TODAY!

Your trusted authorized Shure, Sennheiser, & Audio-Technica
dealer to find out what rebates your system qualifies for.

(615) 534-1190

sales@jss.net

Microphone Technique

Proper mic technique is as important with talking heads as it is with capturing vocals on a record. This video is an example of improper mic technique. Call us if you have a question, please! (615)534-1190



Thanks Nolan!

JSS Tech Support

This photo was taken in India, the place many of us reach when calling technical support with a question. Not the case at JSS. Whether a Royer ribbon microphone, a Yamaha digital mixer, or a Shure wireless system, we at JSS have the answer for the issue. Call us today and let us help you. (615) 534-1190. Our years continue to accumulate as we continue to use the gear, not just sell it.



Jason Spence
Audio Engineer/Owner
www.JSS.net

Rack tom microphone technique using a Sennheiser 421 microphone Nashville sound engineer Russ Long

Yamaha Digital Audio Systems

How to Eliminate Feedback

Feedback. Well…it is probably the most disliked word in professional audio other than “ground hum” or “power outage.” For our sake we will focus on feedback so as not to create any additional heartaches for our blog readers.

Feedback is created by a loop of audio signal. As shown in the attached picture, the signal enters in the path from the microphone and is then passed into the mixer. After the signal leaves the mixer it enters the amplifier and in turn the speaker cabinet. Out of the speaker cabinet, the same exact signal is “fed back” to the microphone...thus, creating a loop, or that awful sound we like to call “feedback.”




If you don’t already, assume that we highly dislike feedback and we want to get rid of it completely. There are some very easy practices that can help provide the highest gain in your audio system before feedback. In order to have an effective system or process to eliminating feedback we have to focus on reducing any unnecessary gain in your signal path. Here are 4 of the most basic practices that will help eliminate feedback:

1. Make sure that your main speakers are in front of your closest microphone to the audience. This way you are not battling the powerful high frequency drivers in your main speaker cabinets; trust me, those things always win no matter how much of a rockstar audio engineer you are.
2. Do the research, find out what the polar pattern of your microphone is so that you can place your monitor wedges accordingly. For instance, a directional microphone with a cardioid polar pattern (such as a Shure SM58) picks up sound in one direction. Therefore, placing the monitor wedge directly behind the microphone is the best option when trying to eliminate feedback. If you are unsure what polar pattern your microphone uses, call myself or the JSS Team, we are always happy to help. After all, it is what we do.
3. Move the source of sound as close to the microphone as possible. This will help reduce the amount of unnecessary gain in your signal path. Remember, we are focused on creating the most gain before feedback.
4. If the first 3 tips don’t work or you really want to go the extra mile, try “wringing out” your monitor wedges. “Wringing out” is an industry term for using an equalizer, generally a graphic equalizer to attenuate problem frequencies in your system. The simplest way to describe how to do this is install a graphic equalizer in between your mixer’s monitor output and your monitor power amplifier. Make sure that the equalizer is not bypassed and all of the available frequencies are set to zero. Turn the problem sources send all the way down or off. Set the problem sources gain to unity gain. Now slowly raise the send level of the source and you should begin to hear your problem frequencies emerge from the wedge(s). Find them on your equalizer and attenuate them as needed.
   

If you are experiencing an extreme feedback situation, please contact JSS. We are a full service company that can tune your system and provide maintenance that will help ensure that you do not have those same feedback issues. If you have any questions, please contact me. We'll wring out your monitors!

Forrest Colegrove
Account Manager
fcolegrove@jss.net
615.663.4481
www.JSS.net